Goal 2: Living the Dream

• Goal II: Living The Dream continues the dramatic and exciting journey of Santiago Munez (Kuno Becker), a small town kid who continues to live his dream of becoming a professional soccer player. When he is traded to Real Madrid and must deal with the trials and triumphs of playing on one of soccer s biggest stages. Also starring Rutger Hauer, Anna Friel and featuring exciting action footage with so

Goal II: Living The Dream continues the dramatic and exciting journey of Santiago Munez (Kuno Becker), a small town kid who continues to live his dream of becoming a professional soccer player. When he is traded to Real Madrid and must deal with the trials and triumphs of playing on one of soccer s biggest stages. Also starring Rutger Hauer, Anna Friel and featuring exciting action footage with some of soccer s biggest stars including David Beckham, Zinedine Zidane and Ronaldo.

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Elite Squad

• An action-packed thriller that follows an elite police battalion (BOPE) tasked with cleaning up a drug-ridden Rio de Janeiro slum in advance of the pope's 1997 visit. A team of trained killers, they struggle to do what's right in a corrupt system and dangerous neighborhood. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR Age: 796019815482 UPC: 79601981

Celebrated with worldwide acclaim, this powerful true story of crime and redemption has won numerous prestigious awards around the globe! The streets of the world's most notorious slum, Rio de Janeiro's "City of God" are a place where combat photographers fear to tread, police rarely go and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings with a different eye, the eye of an ! artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world and ultimately his way out!Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically ! immediate--that City of God prompted reforms in socioec! onomic p olicy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonCelebrated with worldwide acclaim, this powerful true story of crime and redemption has won numerous prestigious awards around the globe! The streets of the world's most notorious slum, Rio de Janeiro's "City of God," are a place where combat photographers fear to tread, police rarely go, and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings with a different eye: the eye of an artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world ... and ultimately his way out!Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a c! aptive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonSaint Augustin! e of Hippo is one of the central figures in the history of Chr! istianit y, and this book is one of his greatest theological works. Written as an eloquent defense of the faith at a time when the Roman Empire was on the brink of collapse, it examines the ancient pagan religions of Rome, the arguments of the Greek philosophers and the revelations of the Bible. Pointing the way forward to a citizenship that transcends worldly politics and will last for eternity, this book is one of the most influential documents in the development of Christianity.

One of the great cornerstones in the history of Christian thought, The City of God is vital to an understanding of modern Western society and how it came into being. Begun in A.D. 413, the book's initial purpose was to refute the charge that Christianity was to blame for the fall of Rome (which had occurred just three years earlier). Indeed, Augustine produced a wealth of evidence to prove that paganism bore within itself the seeds of its own destruction. However, over the next thirteen years ! that it took to complete the work, the brilliant ecclesiastic proceeded to his larger theme: a cosmic interpretation of history in terms of the struggle between good and evil. By means of his contrast of the earthly and heavenly cities--the one pagan, self-centered, and contemptuous of God and the other devout, God-centered, and in search of grace--Augustine explored and interpreted human history in relation to eternity.Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted ! soul. With enough visual vitality and provocative substance to! spark h eated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonPaulo Morelli's film is a pacy, bloody thriller that pays warm tribute to a diverse cross-section of American directors including Quentin Tarantino and Michael Bay. Bullets zing across the screen, heavy artillery is deployed at all times, and Morelli makes great use of the twisty favela streets during some frantic chase sequence. Silva and Cunha, who both had roles in CITY OF GOD, carry the picture with impressive ease, and while CITY OF MEN isn't an official sequel to Meirelles's lauded picture, it does serve as a neat continuation of ! that film's unshakable portrayal of the violence that has beset so many young lives in the slums of Rio de Janeiro.Action-packed and fueled by Brazilian funk, City of Men returns the makers of City of God to the scene of their first success. In this case, the search for family supersedes the search for identity--not that there isn't a correlation between the two. Though produced by Fernando Meirelles, Paulo Morelli's feature isn't a sequel, but a follow-up to the four-season series of the same name. While Meirelles's movie takes place in Rio de Janeiro's past, Morelli's transpires in the present (not counting flashbacks from the show). Days away from turning 18, boyhood friends Acerola (Douglas Silva) and Laranjinha, a.k.a. Wallace (Darlan Cunha), grew up without fathers. Ace has a wife and child; Wallace has a steady girl. The duo gets along with the gang that rules their labyrinthine hillside neighborhood or favela, but hoodlum life holds little appea! l. Ace struggles to raise his young son--his security guard fa! ther was murdered during a robbery--while Wallace tries to track down the dad he never knew. With Ace's assistance, Wallace solves the mystery of his genealogy, but at great cost to their friendship (and lives). Despite the South American pedigree, City of Men suggests the South Central of Boyz N the Hood more than City of God. It's not that Morelli's kinetic film looks like John Singleton's more classically composed enterprise, but that it deals with similar inner-city concerns. That said, Silva and Cunha are every bit as charismatic as Ice Cube and Cuba Gooding Jr.--if not more so. --Kathleen C. FennessyB&R Samizdat Express edition with active tables of contents, linking to every chapter of all 22 books

From Volume 2 of "A Select Library of the Nicene and Post-Nicene Fathers of the Christian Church". According to the editor's preface: "The City of God is the masterpiece of the greatest genius among the Latin Fathers, and the best known and mo! st read of his works, except the Confessions. It embodies the results of thirteen years of intellectual labor and study (from A.D. 413-426). It is a vindication of Christianity against the attacks of the heathen in view of the sacking of the city of Rome by the barbarians, at a time when the old Gr?co-Roman civilization was approaching its downfall, and a new Christian civilization was beginning to rise on its ruins. It is the first attempt at a philosophy of history, under the aspect of two rival cities or communities,?the eternal city of God and the perishing city of the world."B&R Samizdat Express edition with active tables of contents, linking to every chapter of all 22 books

From Volume 2 of "A Select Library of the Nicene and Post-Nicene Fathers of the Christian Church". According to the editor's preface: "The City of God is the masterpiece of the greatest genius among the Latin Fathers, and the best known and most read of his works, except the Confessions. It ! embodies the results of thirteen years of intellectual labor a! nd study (from A.D. 413-426). It is a vindication of Christianity against the attacks of the heathen in view of the sacking of the city of Rome by the barbarians, at a time when the old Gr?co-Roman civilization was approaching its downfall, and a new Christian civilization was beginning to rise on its ruins. It is the first attempt at a philosophy of history, under the aspect of two rival cities or communities,?the eternal city of God and the perishing city of the world."An action-packed thriller that follows an elite police battalion (BOPE) tasked with cleaning up a drug-ridden Rio de Janeiro slum in advance of the pope's 1997 visit. A team of trained killers, they struggle to do what's right in a corrupt system and dangerous neighborhood.Though José Padilha's action-packed crime drama won the top prize at the Berlin Film Festival, a steady stream of controversy and acclaim has followed in its wake. Some critics have even accused the director of promoting fascism, while Padilha (Bus 174) contends that Elite Squad argues against police brutality. Like Vic Mackey, who heads up The Shield's LA strike force, narrator Captain Nascimento (Wagner Moura) heads up Rio de Janeiro's Police Special Operations Battalion (BOPE). It’s 1997, the Pope arrives for a visit in six months, and BOPE will stop at nothing to reduce crime in the favelas. The way they see it, drug traffickers have them outmanned and outgunned, so there's no point in playing by the rules. With their black uniforms and berets, the Skulls certainly cut an imposing figure. New police recruits Neto (Caio Junqueira) and aspiring lawyer Matias (André Ramiro) turn to Nascimento when their efforts to operate by the book only lead to frustration (Matias was inspired by author/law student/BOPE member André Batista). The burned-out captain sees his salvation in the two childhood friends; as soon as he selects a replacement, he plans to leave the force and spend time with ! his pregnant wife. Nascimento may find his man, but the ending! is far from happy. Brutal and bleakly funny, Elite Squad depicts 1990s Rio as Danté's Ninth Circle of Hell. Nonetheless, Brazilians made the film an even bigger sensation than City of God, to which it serves as an essential companion piece. --Kathleen C. Fennessy

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The Police Tapes

• During one of the most tumultuous years in New York's history, two filmmakers ride along with the police to document a city wracked by violence and destruction. Winner of three Emmys, the Police Tapes is a real-life autopsy of the dangerious nighttime work of beat cops in the South Bronx. This film, directed by Susan and Alan Raymond, is genius verite; a probing peek into the underbelly of soc

GANG TAPES - DVD MovieSouth Bronx, New York. 1976. During one of the most chaotic periods in New York City's history, two filmmakers ride along with the police to document a city wracked by rape, gang warfare, murder, arson and petty revenge. Winner of three Emmys, a Peabody and the duPont Award, THE POLICE TAPES is a harrowing, real-life autopsy of the dangerous nighttime work of beat cops as they try to contain a community coming unraveled. In dramatically raw scenes, the officers of the 44th precin! ct let the camera "in on every secret of society," capturing explosive footage of a hostage situation, gangs strutting brazenly down the street, and murders impossible to solve. At the squad station and in the patrol car, cops speak candidly about their frustrations and fears in policing violent, crime-ravaged neighborhoods filled with angry, downtrodden people. From Hill Street Blues to Cops, the immediate and uncensored style of directors Alan and Susan Raymond influences a generation of police drama and reality shows. Perceptive and probing, THE POLICE TAPES is genius verité--a harrowing peek into the dark underbelly of society. DVD Features: Interview with the Filmmakers; Filmmaker Biographies; Interactive Menus; Scene Selection

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Carter's Garden Party 3 Piece Canvas Wall Art , Lilac, 12 X 12"

• Each frame measures 12" x 12" x 1.5"
• Adult installation is easy with the included saw tooth hanger
• Canvas stretched over a wooden frame is lightweight and easy to mount on the wall
• Wall art is the perfect finishing touch for your nursery decor

GARDEN PARTY - DVD MovieIntermingling lives in modern Los Angeles: a musician-drifter (Erik Smith) without a place to crash, a runaway teen (Willa Holland) making bank by posing for Internet cheesecake, a gay Nebraskan (Alexander Cendese) trying to make friends, a real-estate agent (Vinessa Shaw) with a pot-pushing habit... these and others are the satellites circling the general sense of decadence in Jason Freeland's low-key comedy-drama. The film carries a vague echo of Alan Rudolph's Welcome to L.A. in its jaundiced view of the city of angels, but on a much less sophisticated level; the storytelling could use a blood tr! ansfusion, and the young characters are stamped from a cookie-cutter. Individual actors try their best, and the always-underused Shaw gets some nice moments going with Richard Gunn, a client with kink. The standout, in a much smaller role, is Ross Patterson, doing an obnoxious talent scout routine (your movie's in trouble, however, when an irritating supporting player is much more fun than the main characters). The final misstep is the title, borrowed from the great Ricky Nelson song about phonies on the loose--a bit of overstatement the film didn't need. --Robert HortonThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Virginia Woolf once described Katherine Mansfield as "of the cat kind, alien, composed, always solitary & observant." All of these qualities are on display in Mansfield's writing, as well; hers are lonely! tales of missed connections, inchoate longings, and complicat! ed emot ions within the context of a rigidly defined social setting. Born in New Zealand, Mansfield set many of her stories there, even though she emigrated to England in 1908 at age 19, never to return. Her characters are almost invariably middle-class, the daughters, sweethearts, wives, and widows of office clerks, military men, businessmen. In "At the Bay," for example, Mansfield focuses on the Burnell family as they take their summer vacation at the beach. Not content to follow just one character through the story, she drifts in and out of the consciousness of half a dozen, from the family cat to Stanley and Linda Burnell, their children, Linda's sister, Beryl and their in-laws, the Trouts. Dipping into Linda's thoughts, for example, we learn that she loves her husband--"not the Stanley whom everyone saw, not the everyday one; but a timid, sensitive, innocent Stanley who knelt down every night to say his prayers and who longed to be good." Unfortunately for Linda, ! "she saw her Stanley so seldom." Mansfield then swoops into the mind of Stanley's brother-in-law, Jonathan Trout, who is discontented with his life but knows he hasn't the will to change it, and then on to Beryl, whose longing for "someone who will find the Beryl they none of them know" leads her into a rash action.

In the title story, Mansfield concentrates on young Laura Sheridan on the afternoon of her family's garden party. The story follows the family through the preparations--flags to identify the different sandwiches, the delivery of cream puffs, the setting up of a marquee on the lawn. This perfect idyll is broken, however, by news of a fatal accident down the lane. A young workman has been killed, leaving a wife and five children. Into Laura's perfect Eden, death comes whispering and her reaction to it is both subtle and surprising. In fact, many of Mansfield's stories feature young women on the brink of adulthood--facing, for the first t! ime, the realities of their constricted lives. Love is a trap! ; childb earing is another; death can be "simply marvellous." Mansfield died in 1923 of tuberculosis, leaving behind a body of work that is as bold, unconventional, and modern as she was. The Garden Party and Other Stories is a fitting epitaph. --Alix WilberThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Carter's Garden Party- CANVAS WALL ART-3 PC.

Each piece of the Garden Party Canvas Wall Art measures 12" x 12". They are made of stretched canvas on a wood frame, and come ready to hang.

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Dischord

• At the height of her success, alternative rock star Gypsy puts sown her violin and walks away from her career, she retreats with Lucian, her musician husband, to the desolation of Cape Cod in winter. There in Lucian s family cottage, isolated from all they worked to achieve, Lucian tries to support Gypsy in her quest from renewal and peace. Their solitude is cut short, however, when Lucian s long

Initially the release was going to be a double CD featuring one song from every band (50) on the label, but that idea grew to include a 100+ page booklet that would include photos and text about the bands and the history of the label. Later a third CD was added, this one featuring unreleased or rare material from the Dischord vaults, as well as some CD-ROM video files of archival footage of performances from some of the early bands. 73 songs from various artists including The Teen Idols, Mino! r Threat, Gray Matter, Beefeater, The Snakes, Slant 6, Shudder To Think and many more. Three standard jewel cases housed in a slip-box. 2002.Self-absorbed New Age composer Lucien (Andrew Borba) feels overshadowed by the talent and fame of his "improv" violinist wife Gypsy (Annunziata Gianzero), so she abandons her music to placate him, and together they retreat to their beach front home. Gypsy just "needs to fly again, needs to dream," like she did when her grandfather played for her as a little girl. Meanwhile Lucien's serial killer brother Jimmy (Thomas Jay Ryan) comes to visit after a long absence. The three walk on the beach, drink, and talk about their pasts. Gypsy listens to wind chimes and confides in a mysterious beachcomber; Lucien grows frustrated composing his next album, and Jimmy drowns the local women. Meanwhile a retired Boston detective is on Jimmy's trail, and eventually explosive confrontations erupt on both artistic and psychological levels. DISCHORD i! s a unique, low-budget indie from writer-producer-director-edi! tor Mark Wilkinson. It seems to take place in an alternative New Age universe where even cops and Cape Cod fisherman talk about appeasing the spirits and New Age music is more popular than rock and rap combined. Naturally there's an intriguing score, and Hal Hartley fans will relish seeing HENRY FOOL star Ryan in another meaty role.

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Flightplan (Widescreen Edition)

• DVD Details: Actors: Jodie Foster, Peter Sarsgaard, Sean Bean, Robert Schwentke, Alec Hammond
• Directors: Robert Schwentke, Karen Inwood Somers
• Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Aspect Ratio: 2.35:1; Number of discs: 1; Studio: Buena Vista Home Entertainment / Touchstone
• DVD Release Date: January 24, 2006; Run Time: 98 minutes

Academy Award(R) winner Jodie Foster (Best Actress, THE SILENCE OF THE LAMBS, 1991) gives an outstanding performance in the heart-pumping action thriller FLIGHTPLAN. Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's (Foster) 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter! . From the producer of APOLLO 13 and A BEAUTIFUL MIND, FLIGHTPLAN is an intense, suspense-filled thriller that will keep you on the edge of your seat the entire flight.Like a lot of stylishly persuasive thrillers, Flightplan is more fun to watch than it is to think about. There's much to admire in this hermetically sealed mystery, in which a propulsion engineer and grieving widow (Jodie Foster) takes her 6-year-old daughter (and a coffin containing her husband's body) on a transatlantic flight aboard a brand-new jumbo jet she helped design, and faces a mother's worst nightmare when her daughter (Marlene Lawston) goes missing. But how can that be? Is she delusional? Are the flight crew, the captain (Sean Bean) and a seemingly sympathetic sky marshal (Peter Sarsgaard) playing out some kind of conspiratorial abduction? In making his first English-language feature, German director Robert Schwentke milks the mother's dilemma for all it's worth, and Foster's intense yet su! btly nuanced performance (which builds on a fair amount of pos! t-9/11 p aranoia) encompasses all the shifting emotions required to grab and hold your attention. Alas, this upgraded riff on Hitchcock's The Lady Vanishes (not to mention Otto Preminger's Bunny Lake is Missing) is ultimately too preposterous to hold itself together. Flightplan gives us a dazzling tour of the jumbo jet's high-tech innards, and its suspense is intelligently maintained all the way through to a cathartic conclusion, but the plot-heavy mechanics break down under scrutiny. Your best bet is to fasten your seatbelt and enjoy the thrills on a purely emotional level -- a strategy that worked equally well with Panic Room, Foster's previous thriller about a mother and daughter in peril. --Jeff Shannon

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Shorts

• While grownups at Black Box Industries work to improve the handheld gizmo that s this year s high-tech must-have, neighborhood kid Toby Toe Thompson has something even better: he s found the Wishing Rock. Be careful what you wish for, Toe! Spy Kids filmmaker Robert Rodriguez hatches a fun-filled story of the chaos that erupts when folks young and old get their hands on the rainbow-striped stone. H

It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from their parents! Featuring an all-star cast including Ashley Tisdale, Andy Ri! chter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 Dolby Digital / Spanish & French: Dolby Surround Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		**Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice Age 3, Night At The Museum 2, Post Grad, Family Catalog Trailer **Introduction to Film with Ashley Tisdale **! The Ashl ey Encounters **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet The Zirkonians **Trailer Farm: Delgo, Fame, Strawberry Shortcake: Sky's The Limit

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in ! search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that i! t's OK to be smart. Aliens in the Attic is kind of li! ke watch ing someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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It’s summer vacation, but the Pearson family kids are stuck at a boring lake house with their nerdy parents. That is until feisty, little, green aliens crash-land on the roof, with plans to conquer the house AND Earth! Using only their wits, courage and video game-playing skills, the youngsters must band together to defeat the aliens and save the world -- but the toughest part might be keeping the whole thing a secret from t! heir parents! Featuring an all-star cast including Ashley Tisd! ale, And y Richter, Kevin Nealon and Tim Meadows, Aliens In The Attic is the most fun you can have on this planet!

Specs:		Audio: English: 5.1 DTS HD Master Audio / Spanish & French: 5.1 Dolby Digital Language: Dubbed & Subtitled: English, French & Spanish Theatrical Aspect Ratio: Widescreen: 1.85:1
Episodes-Bonus Features:		Disc 1: Widescreen Theatrical Feature Film **Forced Trailers: Alvin and the Chipmunks The Squeakquel, Percy Jackson Theatrical Trailer, Ice! Age 3, Night At The Museum 2, Post Grad, Fame **Introduction to Film with Ashley Tisdale **The Ashley Encounters **Alternate Ending **Deleted Scenes **Gag Reel **Behind the Zirkonians **Meet the Zirkonians **Lights, Camera, Aliens! **Kung Fu Grandma **Brian Anthony "Electricity" Music Video **Fox Movie Channel Presents Life After Film School with Barry Josephson Disc 2: Digital Copy

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of atti! tude, clash like oil and water, and Bethany (Ashley Tisdale) a! nd her d evious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplishe! d Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in th! e extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the! world. What ensues is an action-packed battle in which the ki! ds try t o outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 ! and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), don't make the situation any easier. Add in three younger siblings and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a devic! e that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but ! the experience just isn't as stimulating as when you're the on! e behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

Â

Video game meets movie in this wacky science-fiction action film. When aliens from space invade the attic of a rented lake house, a boring summer vacation takes a turn for the unreal for six kids. Conflict abounds in the extended Pearson family, which includes Nana (Dora Roberts), two nerdy adult brothers (Kevin Nealon and Andy Richter), and their six children. Teenage cousins Tom (Carter Jenkins), an ex-math nerd, and Jake (Austin Robert Butler), a rebellious teen with lots of attitude, clash like oil and water, and Bethany (Ashley Tisdale) and her devious boyfriend, Ricky (Robert Hoffman), d! on't make the situation any easier. Add in three younger sibli! ngs and it looks like it's going to be a long vacation. When four aliens crash on the roof of the house in search of a secret weapon and world domination, things begin to get interesting. Armed with mind-control technology, the aliens are able to manipulate humans with a device that's remarkably similar to a video game controller. Unfortunately for the aliens, the technology works only on adults. Suddenly, the warring cousins and siblings realize they must join forces and rely on one another to save their parents, Nana, and the rest of the world. What ensues is an action-packed battle in which the kids try to outsmart the aliens with everything from fireworks to a remote-controlled Barbie car and a paintball gun. When the kids get ahold of the aliens' controllers, hilarity reins as they make Ricky and Nana do everything from slap themselves to fight as only an accomplished Kung-Fu Grandma can. The action is funny and the kids get fairly creative, but the movie is really just a farce! that's full of silly humor, the occasional glimpse of heart, and a somewhat buried message that it's OK to be smart. Aliens in the Attic is kind of like watching someone else play a good video game; the plot is fairly entertaining and the action is fun, but the experience just isn't as stimulating as when you're the one behind the controller. Bonus features include the animated short "Behind the Zirkonians," an alternate ending, three deleted scenes, a 5-minute gag reel, an interactive "Meet the Zirkonians" segment, and fun on the set with Ashley Tisdale in "The Ashley Encounters." (Ages 7 and older) --Tami Horiuchi

Stills from Aliens in the Attic (Click for larger image)

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SHORTS - DVD MovieA fantastical story, relayed in the form of short vignettes by director Robert Rodriguez, Shorts is the story of a magic wishing rock and kids' imaginations gone wild. The film plays a lot like the The Little Rascals (Our Gang) films from the 1920's-1940's: it's made up of short, comical epis! odes that focus on kids adventures and how imagination drives their play. When a magical rainbow rock falls from the sky and lands in the middle of tech-town Black Falls, a young boy Toe (Jimmy Bennett) discovers that the rock has the power to grant his every wish. The victim of constant bullying, Toe wishes for friends as unusual as himself and ends up with a posse of aliens who protect him while seriously complicating his life. As narrator, Toby quickly stops the film, explaining that his experience is really the middle of the story, and then rewinds repeatedly to relate various encounters between neighborhood kids and the magic rock. Each short is its own journey into a kid's imagination where wishes for everything from a treasure hunt, to a fortress guarded by crocodiles, a super smart baby with telepathic powers, and a booger monster grown from one boy's booger are immediately granted. These fantastical wishes wreak havoc on the entire Black Falls community: the child! ren, the technology obsessed, disconnected Black Box employees! , and th e tyrannical Black Box boss Mr. Black (James Spader). In the end, the magic rock is a catalyst for change, encouraging kids and adults to work together and inspiring serious reflection regarding one's wishes, dreams, and goals. Rodriguez does a great job of portraying the wildness of kids' imaginations and viewers that delight in over-the-top ridiculousness and the overtly gross will laugh hysterically throughout the film. Unfortunately, those who demand restraint may find it overdone. (Ages 10 and older) --Tami Horiuchi

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