Armageddon

• When an asteroid the size of Texas is headed for Earth, the worlds best deep core drilling team is sent to nuke the rock from the inside.Starring: Ben Affleck, Steve Buscemi, Keith David, Will Patton, PeterStormare, Billy Bob Thornton, Liv Tyler, and Bruce Willis.Directed By: Michael BayRunning Time: 2 hrs. 31 mins.This film is presented in "Widescreen" format.Copyright 1999 Buena Vista Format

From the blockbuster-making team who produced and directed PEARL HARBOR and THE ROCK (Jerry Bruckheimer and Michael Bay) comes the biggest movie of 1998 -- ARMAGEDDON! Starring the explosive talents of Bruce Willis (DIE HARD), Academy Award(R)-winners Ben Affleck (GOOD WILL HUNTING) and Billy Bob Thornton (SLING BLADE), Liv Tyler (INVENTING THE ABBOTTS), Steve Buscemi (CON AIR), and Will Patton (INVENTING THE ABBOTTS), ARMAGEDDON is a meteor storm of action-adventure moviemaking that has you on the edge! of your seat forgetting to breathe! When NASA's executive director, Dan Truman (Thornton), realizes the Earth has 18 days before it's obliterated by a meteor the size of Texas, he has only one option -- land a ragtag team of roughneck oil drillers on the asteroid and drop a nuclear warhead into its core. Spectacular special effects, laugh-out-loud humor, great characters, riveting storytelling, and heartfelt emotion make ARMAGEDDON an exhilarating thrill ride you'll want to experience like there's no tomorrow.The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight c! rude, lewd, oversexed (but lovable, of course) oil drillers su! mmoned t o save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scotti! sh, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoyThe 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and! patriotic flag waving. Bay's protagonists--the eight crude, l! ewd, ove rsexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so ! blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

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Carlito's Way Rise To Power - Original Movie Poster - 11 x 17

• Original 2005 Theatrical Release Mini Movie Poster
• Rolled, Mint and Unused.
• Single Sided

This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choic! es to make. Taut, thrilling, and a joy to read, Carlito's Way established a voice that has lost none of its vivid color or power to enthrall.This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy t! o read, Carlito's Way established a voice that has lost! none of its vivid color or power to enthrall.This powerful, gritty, and vivid novel is the unforgettable story of Carlito Brigante, a Harlem drug dealer in the 1960s, and his rise to the top. Drug dealer, thief, and murdered, Carlito Brigante was once just another Spanish Harlem street punk with a poor boy's dream of flash and fast money -- but as he gets older he determines that it's either take or be taken, and he knows which role he intends to play. Soon he's a mob-connected professional with an easy charm, joie de vivre, stubborn pride, and hair-trigger temper. But the rules change rapidly in a sudden-death world of scams, sell-outs, and payback, where only the strongest and smartest predator can be king of the barrio. And when there's a major changing of the guard in the top echelons of the mob, Carlito will have some hard choices to make. Taut, thrilling, and a joy to read, Carlito's Way established a voice that has lost none of its vivid color or power to enthrall.Fro! m the producer of Scarface and Carlito's Way comes the action thriller Carlito's Way: Rise to Power. Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzman (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers in crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street.The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché ! in the book, qualifying as the 21st-century equivalent of a Wa! rner Bro s. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there'! s not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff ShannonCARLITO'S WAY:RISE TO POWER - DVD MovieThe success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD release of Carlito's Way: Rise to Power will attract an eager audience among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between ! the blacks led by Hollywood Nicky (Sean Combs, adding a touch ! of bling y humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alliance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver.! On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff Shannon From the producer of Scarface and Carlito's Way comes the action thriller Carlito's Way: Rise to Power. Jay Hernandez (Friday Night Lights), Mario Van Peebles (Ali), Luis Guzman (Carlito's Way) and Sean Combs (Monster's Ball) star in the gripping tale of the early years of gangster legend Carlito Brigante. Seduced by the power of the brutal New York underworld, he enters a deadly circle of greed and retribution. Assisted by his two brothers in crime, Carlito is on the fast track to becoming Spanish Harlem's ultimate kingpin. He quickly learns, however, that the only way to survive at the top is through loyalty to his friends and respect for the rules of the street.The success of Brian De Palma's Carlito's Way ensures that the straight-to-DVD releas! e of Carlito's Way: Rise to Power will attract an eager! audienc e among fans of urban gangland melodramas. A stellar cast provides adequate compensation as this tame, relatively bloodless prequel trots out every cliché in the book, qualifying as the 21st-century equivalent of a Warner Bros. gangster programmer from the 1930s. The well-chosen cast of new and familiar faces is caught up in a standard plot of territorial tension in Harlem between the blacks led by Hollywood Nicky (Sean Combs, adding a touch of blingy humor), the old-school Mafia led by Artie Sr. (Burt Young), and the caught-in-the-middle Puerto Ricans who are gaining control as Carlito (Jay Hernandez, in the role Al Pacino originated) and his cross-cultural gang rises to power after his recent release from prison with cellmates and partners-in-crime Earl (Mario Van Peebles) and Rocco (Michael Kelly). They're a tight trio in a climate of mistrust and deception, and Earl's hot-headed brother (Mtume Grant) sets off a series of events that force Carlito to invent a clever alli! ance that raises the body count while ensuring his long-term status as a dude-you-don't-mess-with. It's fun, for what it's worth (and fans of De Palma's film will enjoy connecting events from one film to the other), but there's not a shred of originality in script or direction by Michael Scott Bregman, whose father Martin produced Carlito's Way. Still, there's something to be said for a gang picture that never promises more than it can deliver. On those terms, and with enough violence and strip-joint nudity to satisfy its generic prerequisites, Rise to Power is definitely worth a look. --Jeff ShannonNo description available for this title.
Item Type: DVD Movie
Item Rating: R
Street Date: 08/28/07
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
! Packaging: SleeveOriginal 2005 Theatrical Release Movie! Poster.
Measures 11" x 17" (inches)
The poster is single sided, rolled, mint and unused and will be shipped to you packed in plastic tubing and then inside strong pvc pipe for maximum protection.

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Don Juan [NTSC/REGION 1 and 4 DVD. Import-Latin America] Penelope Cruz

• AUDIO: French (2.0 Dolby Digital Stereo)
• SUBTITLES: Spanish
• ACTORS: PENELOPE CRUZ, JAQUES WEBER, MICHAEL BOUJENA.

Heaven has sent its best (Victoria Abril) and the devil his worst (Penélope Cruz), two rival agents battling for ultimate supremacy decided by whoever can secure the soul of Manny (Demián Bichir), a punch-drunk boxer on earth. These sexy angels pull no punches using their brains, wit and sex appeal to accomplish their missions. Defeating the temptations of the devil will be no easy task, as his recruits are led by the mastermind Jack Davenport (Gael García Bernal). Damnation has never been this seductive and seduction never more heavenly!

SPANISH SYNOPSIS: El cielo envía a la tierra a su mejor agente (Victoria Abril) y el infierno a su peor (Penélope Cruz), para luchar por la supremacía final. Quien obtenga el alma de Manny (Demián Bichir), un ! boxeador que ha recibido demasiados puñetazos, será quien venza. Estas son sensuales serafines que usan el cerebro, el ingenio y, por supuesto, el atractivo sexual para cumplir con su misión. No será fácil sobreponerse a las tentaciones del demonio, pues sus huestes las dirige Jack Davenport (Gael García Bernal). ¡La condenación nunca ha sido tan seductora ni la seducción tan divina!

This digital document is an article from E Semanal, published by Servicios Editoriales Sayrols S.A. de C.V. on July 15, 2002. The length of the article is 526 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Xerox redefinió el rumbo: después de su bendito infierno. (e-Noticias).(fijación de normas después de descubrimiento de errores d! e contabilidad)(TT: Xerox sets new guidelines: calm after the ! storm. ( E-news).)(TA: setting of standards after discovery of accounting errors)(Artículo Breve)
Author: Joel Hernández Huerta
Publication: E Semanal (Magazine/Journal)
Date: July 15, 2002
Publisher: Servicios Editoriales Sayrols S.A. de C.V.
Volume: 21 Issue: 513 Page: 6(1)

Article Type: Artículo Breve

Distributed by Thomson GaleSpanish VHS videoFACTORY SEALED AND GUARANTEED ALL NEW/ WE MAKE YOUR OWN PACKAGES(LANGUAGE:SPANISH,FRENCH,ENGLISH,SUBTITLES:SPANISH,ENGLISH,PORTUGUES,RUN TIME:116 MINS)EN ALGUN LUGAR EN LA EUROPA DE PRINCIPIOS DEL SIGLO XVII, DON JUAN HUYE DE SU CIUDAD TRAS ABANDONAR A SU PROMETIDA DONA ELVIRA Y SER AMENAZADA DE MUERTE POR DOS HERMANOS DE ESTA. EN SU HUIDA, DON JUAN Y SU CRIADO SNAGARELLE NAUFRAGAN. DESCUBRA QUE PASARA CUANDO DON JUAN DESPUES DEL NAUFRAGIO REGRESE A SU CASTILLO.

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Dave Chappelle's Block Party - 27x40 Original Poster

• High Quality Product
• Great Collectible
• Great Wall Décor
• Brand New Item

A MIX OF DAVE CHAPELLE'S SKETCH COMEDY & MUSICAL INTERLUDES ASHE TAKES ON AN UNFORGETTABLE JOURNEY TO THROW THE DECADES MOSTOUTRAGEOUS PARTY.Few movies, documentary or otherwise, capture the relaxed exuberance of Dave Chappelle's Block Party. This is Chappelle's first project since his show on Comedy Central received so much popular and critical attention that he apparently had a psychological meltdown and fled to Africa to escape. You can still see a hint of weariness and wariness in his eyes--but even more you can see his relief to be launching a project that bears no expectations. Funded by his own money and free to all who attended, Chappelle set up a secret concert location in Brooklyn and pulled together a musical lineup of stellar acts, including Erykah Badu, Kanye West, Mos Def, Jill! Scott, Common, the Roots, Dead Prez, and the reunion of the Fugees, all of whom give vibrant performances. But Block Party doesn't just capture the show; at least a third of the movie is Chappelle wandering around Brooklyn or the Ohio neighborhood where he lives and interacting with the people he meets, many of whom he gives free tickets for the show. These scenes, combined with footage of the performers rehearsing or just gassing around before the show, offer a sense that for Chappelle performing is just an extension of his everyday life; that he takes just as much pleasure from goofing around with one person as he does goofing around in front of hundreds or thousands. Putting together this event becomes a unique self-portrait as well as an experience that rejuvenated Chappelle. If you surrender to the vitality of the show and Chappelle's loose comic jazz, you may find it rejuvenating too. --Bret FetzerA MIX OF DAVE CHAPELLE'S SKETCH COMEDY & MUSICAL INTERLU! DES ASHE TAKES ON AN UNFORGETTABLE JOURNEY TO THROW THE DECADE! S MOSTOU TRAGEOUS PARTY.Few movies, documentary or otherwise, capture the relaxed exuberance of Dave Chappelle's Block Party. This is Chappelle's first project since his show on Comedy Central received so much popular and critical attention that he apparently had a psychological meltdown and fled to Africa to escape. You can still see a hint of weariness and wariness in his eyes--but even more you can see his relief to be launching a project that bears no expectations. Funded by his own money and free to all who attended, Chappelle set up a secret concert location in Brooklyn and pulled together a musical lineup of stellar acts, including Erykah Badu, Kanye West, Mos Def, Jill Scott, Common, the Roots, Dead Prez, and the reunion of the Fugees, all of whom give vibrant performances. But Block Party doesn't just capture the show; at least a third of the movie is Chappelle wandering around Brooklyn or the Ohio neighborhood where he lives and interacting with the people he ! meets, many of whom he gives free tickets for the show. These scenes, combined with footage of the performers rehearsing or just gassing around before the show, offer a sense that for Chappelle performing is just an extension of his everyday life; that he takes just as much pleasure from goofing around with one person as he does goofing around in front of hundreds or thousands. Putting together this event becomes a unique self-portrait as well as an experience that rejuvenated Chappelle. If you surrender to the vitality of the show and Chappelle's loose comic jazz, you may find it rejuvenating too. --Bret FetzerThe Dave Chappelle's Block Party soundtrack spotlights comedy superstar Dave Chappelle in all-new freestyle standup material, and also one-time-only performances by Mos Def, Erykah Badu, Common, Dead Prez, Jill Scott, Talib Kweli and the Roots, among others. The soundtrack captures the unprecedented combination of comedy and music, and was recorded on l! ocation as Mr. Chappelle threw a party in downtown Brooklyn, i! nviting local residents to experience these exclusive performances by the most progressive cutting edge urban artists in the music scene today.Don't you wish you were Dave Chappelle? The guy is funny as hell--and rich and famous for it. What's more, he's socially conscious and has impeccable taste in music. Thanks to Michel Gondry's triumphant, uplifting film, we got to see Chappelle live out his personal fantasy--a "block party" in Brooklyn's Bed-Stuy 'hood. The comedian handpicked his favorite hip-hop and R&B artists to participate, and the roster includes some of the most significant names of the past 10 years of "urban" music, including the Roots, Mos Def, Talib Kweli, Jill Scott, Erykah Badu, and Common. Unfortunately, the CD omits the Fugees reunion that formed the climax of the film and it also leaves out a stirring performance by Kanye West, the biggest rap star of the day. That said, the music that is here is often scintillating, especially by Badu and Scott, who kill with ! their own tracks and spice up many of the rap tracks to boot. The one new cut (not in the film), Blackstar's "Born & Raised," keeps the quality high. Not surprisingly, the soundtrack simply can't reconstruct the positive vibrations and powerful messages of the movie, but it's still a worthwhile document of the magic that happened on a rainy September 2004 day at the corner of Downing and Quincy. --Marc Greilsamer27x40 Original Poster

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Brief Interviews with Hideous Men

• ISBN13: 9780316925198
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

David Foster Wallace made an art of taking readers into places no other writer even gets near. The series of stories from which this exuberantly acclaimed book takes its title is a sequence of imagined interviews with men on the subject of their relations with women. These portraits of men at their most self-justifying, loquacious, and benighted explore poignantly and hilariously the agonies of sexual connections.Amid the screams of adulation for bandanna-clad wunderkind David Foster Wallace, you might hear a small peep. It is the cry for some restraint. On occasion the reader is left in the dust wondering where the story went, as the author, literary turbochargers on full-blast, suddenly accelerate! s into the wild-blue-footnoted yonder in pursuit of some obscure metafictional fancy. Brief Interviews with Hideous Men, Wallace's latest collection, is at least in part a response to the distress signal put out by the many readers who want to ride along with him, if he'd only slow down for a second.

The intellectual gymnastics and ceaseless rumination endure (if you don't have a tolerance for that kind of thing, your nose doesn't belong in this book), but they are for the most part couched in simpler, less frenzied narratives. The book's four-piece namesake takes the form of interview transcripts, in which the conniving horror that is the male gender is revealed in all of its licentious glory. In the short, two-part "The Devil Is a Busy Man," Wallace strolls through the Hall of Mirrors that is human motivation. (Is it possible to completely rid an act of generosity of any self-serving benefits? And why is it easier to sell a couch for five ! dollars than it is to give it away for free?) The even shorte! r glimps e into modern-day social ritual, "A Radically Condensed History of Postindustrial Life," stretches the seams of its total of seven lines with scathing economy: "She laughed extremely hard, hoping to be liked. Then each drove home alone, staring straight ahead, with the very same twist to their faces." Wallace also imbues his extreme observational skills with a haunting poetic sensibility. Witness what he does to a diving board and the two darkened patches at the end of it in "Forever Overhead":

It's going to send you someplace which its own length keeps you from seeing, which seems wrong to submit to without even thinking.... They are skin abraded from feet by the violence of the disappearance of people with real weight.

Of course, not every piece is an absolute winner. "The Depressed Person" slips from purposefully clinical to unintentionally boring. "Tri-Stan: I Sold Sissee Nar to Ecko" reimagines an Arthurian tale in MTV terms a! nd holds your attention for about as long as you'd imagine from such a description. Ultimately, however, even these failed experiments are a testament to Mr. Wallace's endless if unbridled talent. Once he gets the reins completely around that sucker, it's going to be quite a ride. --Bob Michaels

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Cloudy With a Chance of Meatballs

• ISBN13: 9780689306471
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Cloudy with a Chance of Meatballs tells the story of an eccentric wannabe scientist, Flint Lockwood. His latest contraption is a miraculous device designed to solve the world hunger crisis. But when Flint bites off more than he can chew, he sets in motion a global disaster of epic proportions. Based on the #1 best-selling book by Judi and Ron BarrettJudi and Ron Barrett's Cloudy with a Chance of Meatballs is a much-loved, whimsical book about a tiny island where food falls from the sky like rain. The book serves as a jumping-off point for Sony's animated, digital 3-D Cloudy with a Chance of Meatballs which is not so much a retelling of the book as an exploration of what makes ! food rain from the sky on a small island in the middle of the Atlantic Ocean. Flint (Bill Hader), a clever young inventor with a reputation for creations gone awry, has recently completed a machine that he claims will turn water into food. Like his past failed inventions, Flint's new food-converting machine doesn't work as planned, and on its initial test run it ends up getting launched into the sky where clouds form and begin to rain cheeseburgers. The falling burgers destroy the Swallow Falls community's latest attempt to bolster its failing, sardine-dependent economy, but the Mayor's (Bruce Campbell) initial fury quickly turns to greedy anticipation as he begins to realize that food falling from the sky could serve as an innovative tourist draw. As the entire town is caught up re-defining itself as "Chew and Swallow," only Flint's father (James Caan) remains skeptical of his son's invention. Greed leads to some very strange weather events like spaghetti twisters and extr! a-giant food which, while providing a huge career opportunity ! for brai ny weather intern Sam Sparks (Anna Faris) who's masquerading as an air-headed television personality, also threaten to destroy the town and its inhabitants. In the end, only the collaborative efforts of Flint, his father, and Sam can save the town of Chew and Swallow from certain destruction by the out of control invention. Cloudy with a Chance of Meatballs is a funny, imaginative film that's well-animated and immensely entertaining for kids and adults. Rated PG for brief mild language, but appropriate for most ages 5 and older. --Tami Horiuchi




Stills from Cloudy with a Chance of Meatballs (Click for larger image)

The tiny town of Chewandswallow was very much like any other tiny town except for its weather which came three times a day, at breakfast lunch and dinner.

But it never rained rain and it never snowed snow and it never blew just wind. It rained things like soup and juice. It snowed things like mashed potatoes. And sometimes the wind blew in storms of hamburgers.

Life for the townspeople was delicious until the weather took a turn for the worse. The food got larger and larger and so did the portions. Chewandswallow was plagued by damaging floods and storms of huge food. the town was a mess and the people feared for their lives.

Something had to be done, and in a hurry.

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Fighting Tommy Riley

• Tommy Riley is a self-destructive boxer with raw talent and a fiery temper. Marty Goldberg is a trainer with inner demons too dark to bring to light. As a team, these two volatile opposites just may have what it takes to find the second chance they never had. Boasting extraordinary performances that are devastatingly poignant and vigorously uplifting, Fighting Tommy Riley is a powerful look at the

Tommy Riley is a self-destructive boxer with raw talent and a fiery temper. Marty Goldberg is a trainer with inner demons too dark to bring to light. As a team, these two volatile opposites just may have what it takes to find the second chance they never had. Boasting extraordinary performances that are devastatingly poignant and vigorously uplifting, Fighting Tommy Riley is a powerful look at the world of men, both in and outside the ring.

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I Love BRIGHAM CITY, UTAH City Limit Sign - 4 x 18 inches

• Aluminum Brand New Sign
• 4 x 18 inches
• Rounded Corners
• Predrillied for Hanging
• Great Gift Idea

Richard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffect! ed forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutcher’s Brigham City is a rare find in the recent onslaught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerRichard Dutch! er’s Brigham City is a rare find in the recent onsla! ught of murky religion-based thrillers and Satanic conspiracies--a modern crime thriller with a powerful and passionate spiritual message. In some ways it plays like a contemporary Western, with Dutcher as the upright county sheriff and local church bishop of a rural Utah town terrorized by a serial killer. Like the marshal of a peaceful frontier community, he first tries to shield his town from the horror, then pulls the good churchgoing citizens into a veritable posse. His cinematic skills may be a bit clumsy and his modern take on frontier justice naïve, but his heart is in the right place. He creates a portrait of family values, community ties, and neighborly caring with an honest, unaffected forthrightness. Ultimately, fear and suspicion is the real snake in Eden. --Sean AxmakerI Love BRIGHAM CITY, UTAH City Limit Sign. Made of Aluminum and High Quality Vinyl Letters and Graphics. This sign is 4 x 18 inches. Made to last for years outdoors, the sign is nice enough to di! splay indoors too, comes with two holes pre-punched for easy installation and the corners are rounded. The item shipped will be exactly as shown in the picture (Unless you notify us otherwise i.e. a custom made order)

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A Walk to Remember

• Condition: New
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Mandy Moore stars as Halley, a young hip high school student who believes that love will never happen to her and that her life is a mess. Her father is marrying a woman she can't stand, her mother is alone, her sister's wedding plans are taking over her life and her friends at school only care about cheerleading and football. All seems lost until she meets a boy who shows her what love is all about.Teen idol Mandy Moore (A Walk to Remember) learns how to deal with an awful lot--How to Deal crams divorce, teen pregnancy, a wedding, a car accident, and a pot-smoking grandmother into a single year in the life of Halley Martin (Moore). Halley's so resentful of her parents' divorce (and her father's impending remarriage) that she resolves not to fall in love--so o! f course a hunky guy named Macon (Trent Ford) decides that she's the girl for him and woos her with gentle persistence. Two things save all of this from being a teenage soap opera: First, a refreshingly realistic (though not explicit) and unjudgmental look at teenage sex; second, a sterling supporting cast, including Allison Janney (The West Wing), Peter Gallagher (sex, lies, and videotape), and Dylan Baker (Happiness), alongside pleasant young actors like Alexandra Holden (Sugar and Spice). --Bret FetzerStudio: New Line Home Video Release Date: 09/18/2007How To Train Your Dragon
A winner with audiences and critics alike, DreamWorks Animation’s How to Train Your Dragon rolls fire-breathing action, epic adventure and laughs into a captivating and original story. Hiccup is a young Viking who defies tradition when he befriends one of his deadliest foes â€" a ferocious dragon he calls Toothless. Together, the unlikely! heroes must fight against all odds to save both their worlds ! in this “wonderful good-time hit!” (Gene Shalit, Today).

Legend of the Boneknapper Dragon
Hiccup and the Viking gang are back to battle Gobber’s archenemy â€" the legendary BoneKnapper dragon â€" in this full-“scale” action-adventure. Shipwrecked on a mysterious island, the courageous kids devise a plan to capture the cagey creatures…if he even exists!A winning mixture of adventure, slapstick comedy, and friendship, How to Train Your Dragon rivals Kung Fu Panda as the most engaging and satisfying film DreamWorks Animation has produced. Hiccup (voice by Jay Baruchel) is a failure as a Viking: skinny, inquisitive, and inventive, he asks questions and tries out unsuccessful contraptions when he's supposed to be fighting the dragons that attack his village. His father, chief Stoick the Vast (Gerard Butler), has pretty much given up on his teenage son and apprenticed him to blacksmith Gobber (Craig Ferguson). Worse, Hiccup knows the v! illage loser hasn't a chance of impressing Astrid (America Ferrera), the girl of his dreams and a formidable dragon fighter in her own right. When one of Hiccup's inventions actually works, he hasn't the heart to kill the young dragon he's brought down. He names it Toothless and befriends it, although he's been taught to fear and loathe dragons. Codirectors and cowriters Chris Sanders and Dean DeBlois, who made Disney's delightful Lilo and Stitch, provide plenty of action, including vertiginous flying sequences, but they balance the pyrotechnics with moments of genuine warmth that make the viewer root for Hiccup's success. Many DreamWorks films get laughs from sitcom one-liners and topical pop culture references; as the humor in Dragon comes from the characters' personalities, it feels less timely and more timeless. Toothless chases the spot of sunlight reflected off Hiccup's hammer like a giant cat with a laser pointer; Hiccup uses his newly found knowledge (and an icky sm! oked eel) to defeat two small dragons--and impress the other k! ids. How to Train Your Dragon will be just as enjoyable 10 or 20 years from now as it is today. (Rated PG: suitable for ages 8 and older, violence, some intense action and scary dragons) --Charles SolomonLove brings together what peer pressure and lifestyles seek to keep apart in this coming-of-age story based on the bestselling book. Teen idol Shane West and multiplatinum recording star Mandy Moore star as two high schoolers -- she a straitlaced preacher's daughter and he an unmotivated delinquent. When events thrust him into her world, he begins an unexpected journey he'll never forget.With refreshing intelligence, A Walk to Remember offers welcome relief from the recent onslaught of teen-movie crudeness. Adapted from the novel by Nicholas Sparks and transplanted from 1958 to the present day, this admirable teen romance recognizes that two 18-year-olds--Landon (Shane West) and Jamie (pop singer Mandy Moore)--can be smart, mature, and sensible about the very real love they s! hare. He's a popular kid in the cool crowd. She's got a goody-goody reputation as the dowdy daughter of a local minister (Peter Coyote); her values and priorities aren't rooted in peer pressure, and Landon feels blessed by her self-assured nobility. Their mutual affection inevitably heads into Love Story territory, but the movie is honest enough to survive its own schmaltz, and its attractive cast (including Daryl Hannah as Landon's mom) embraces a tone of sincerity and mutual respect. Finally... a teen movie with teens you can admire. --Jeff Shannon

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Goodbye My Lover (Piano Vocal, Sheet music.)

• Published by Hal Leonard 12 Pages
• (James Blunt)
• Artist: James Blunt

Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating! director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Pompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast! and never lets up, liberating director Roland Joffé (The ! Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon GOODBYE MY LOVER Series: Piano Vocal Artist: James Blunt Sheet music.

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